The Journal

Article 4 - Why Only One Hundred

Article 4 - Why Only One Hundred

Abigail Wilkins

The philosophy of the closed edition - why we’ll never reprint, never discount, and never make the same artwork twice.

Article 4 - Why Only One Hundred

Abigail Wilkins

The philosophy of the closed edition - why we’ll never reprint, never discount, and never make the same artwork twice.

Article 3 - From Drawing to Dress

Article 3 - From Drawing to Dress

Abigail Wilkins

From a pencil line to a numbered piece - the five stages every dress travels, and why none of them are rushed.

Article 3 - From Drawing to Dress

Abigail Wilkins

From a pencil line to a numbered piece - the five stages every dress travels, and why none of them are rushed.

Article 2 - The Making of Lady in Wisteria

Article 2 - The Making of Lady in Wisteria

Abigail Wilkins

Before the collection, there was a woman in a garden. The story of the original painting that began A Pause in Bloom.

Article 2 - The Making of Lady in Wisteria

Abigail Wilkins

Before the collection, there was a woman in a garden. The story of the original painting that began A Pause in Bloom.

Article 1 - Hearsons Cove: Where the Colours Began

Article 1 - Hearsons Cove: Where the Colours Began

Abigail Wilkins

The cove in Australia’s far north-west that taught a young artist how boldly nature pairs its colours and became the palette of a house

Article 1 - Hearsons Cove: Where the Colours Began

Abigail Wilkins

The cove in Australia’s far north-west that taught a young artist how boldly nature pairs its colours and became the palette of a house